Monday, June 13, 2016

Robert T. - Spectrum Review ★ ★ ★


Robert T. describes Spectrum as:

Spectrum is a series of tracks that have glossy synths and foreboding basses gurgling alongside analog beats. This is a varied album hence the name, featuring many different instruments and tones which showcase my constant search for new sounds and textures. Vinatge samplers and analog hardware meld together in this sonic voyage.”

This sounds fairly promising, but for the most part I don’t hear many interesting sounds or textures going on through much of this release, there are some bright points though which I will go over, so read on.

The album starts off with Format XII, which contains some mid tempo electronic beats that sound like maybe Robert was going for a Synthwave type feel, but the choices of sounds are a little too dry and sound a little too preset-y to make a lasting impression. The second track Cyberfeeder, dives more into minimal house territory, and I think this realm is much more comfortable for Robert T. There’s a nice chill pulse with just the right amount of melody to make you want to move (if I could dance, which I can’t).

L/4,5 is another slightly dancy one, but doesn’t hold up for me as well as Cyberfeeder. Again, there’s the very dry preset sounding sounds that just do not sound very interesting to me. Weisbaden 455 has some pretty cool sounds going on, but doesn’t ever seem to develop into anything concrete. FormatXI starts out as a promising dark ambient piece, but again just seems to develop to full maturity in the first measure, then never really blossoms into anything emotional or that conveys much feeling.

Finally at 380mm, Spectrum starts to deliver. This and Format9 are easily the two best tracks on the album. 380mm it starts out with a purely sinister sounding drone that becomes wrapped in various pulsating arpeggios and hi hats. Unlike most of the previous tracks, this one pulls out a few surprises, sounds morph and fade in and out. And even though they are all still very dry, there’s a more overdriven sound on the snare drum and overall it’s just a cool driving beat.

Format9 takes the overdrive to another level and maybe is the best track on the album. It seems the meaner and dirty Robert gets, the better he is at true experimentation. This track almost sounds industrial at times, though doesn’t fall into the stereotypical trappings of the genre.

One thing I should mention is that Robert T created all of this music in real-time, which can be fun for the performer and at a show, but doesn’t always sound like the most carefully constructed music as an album. Mostly because it wasn’t constructed at all, but more like improvised using various electronics. So for this I give Robert some credit for making and at least listenable album this way. I do think however if he is going to continue on this path, to invest in some multi-fx units to ad some more depth to his textures, as well as maybe creating some more structure ahead of time to keep things from getting too meandering.

3 out of 5. Worth having for the last two tracks along. So go ahead and download it here!

Sunday, June 5, 2016

Atlantis Falls with Cyber Diva and Hastuni Miku

Here’s a brand new song of mine that I made in Ableton Live Intro and Vocoloid with Cyber Diva and Hasuni Miku. The drums and bass were heavily influenced by the song “Key” by Yellow Magic Orchestra. The lyrics were inspired by the comic book, The Atlantis Chronicles by Peter David and Esteban Maroto published by DC Comics 1990.

The basic concept was simple, make a YMO inspired track with Vocaloid singing. The Atlantis concept came afterwards. I’m always obsessed with the legend of Atlantis anyway, and I recently read The Atlantis Chronicles (highly recommended). So when I was trying to think of things to write lyrics about, that’s what I came up with.

For the video I used about 15 or 20 stills I took at various oceans, aquariums, beaches, and watery places I’ve been to over the years, and a couple of my drawings, then used footage from the PC game Atlantis: The Lost Tales – 1997, played by youtuber PeteRoy. I first took all the stills and animated the TV simulator plugin in Sony Movie Studo Platinum, then chroma-keyed the footage from Atlantis:The Lost Tales, over it in what I thought was interesting ways.

The music was composed and mixed entirely in Ableton using Ableton’s synths, samples, and plugins, then I mixed the vocals right in the Vocaloid editor. I mastered it in Audacity.

I hope you enjoy it, if you want to download the track, you can here https://demonicsweaters.bandcamp.com/track/atlantis-falls
Lyrics:

A dome above the sky
A million reasons why
We’ll take another way to the ocean

And if you want me to
Go to the cave with you
I’ve got a magic spell for the ocean

Atlantis falls into the depths of the sea now

Our science is so strong
Become amphibian
We can breath underwater like the fishes

The best scientists
And the strongest wariors
Atlantis is the home of technology

Atlantis falls into the depths of the sea now

Atlantis falls into the depths of the sea now

A dome above the sky
A million reasons why
We’ll take another way to the ocean

And if you want me to
Go to the cave with you
I’ve got a magic spell for the ocean

Atlantis falls into the depths of the sea now

Atlantis falls into the depths of the sea now

Atlantis falls into the depths of the sea now

Atlantis falls into the depths of the sea now

Alternative Drummer Profile: (AL)ICE

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